
WINDOWLICKER 2017 is a digital photo collage made from panoramic strips shot with an iPhone 6 of a windowbox in Gloucester, MA.

FLORIDADA 2017 is a digital photo collage work-in-progress made from imagery found on Google Earth. For more similar images please visit Google Hack.

BREAKFAST AT TIFFANY’S 1995 is a pairing of a preparatory sketch and the final production art of an analog photo collage advertisement for Kodak Funsaver Pocket cameras, thru J. Walter Thompson advertising. One of 3 collages created for the campaign, they were all photographed with the Funsaver one-time-use cameras.

AN INSTINCT FOR DETECTION 2017 Is a digital photo collage made from panoramic strips shot with an iPhone in pano mode. Photographed in the stairwell of the Museum of Art & Design (MAD) in NYC.

DIPTYCH OPUS 40 1986 is part of a series of simple two-frame panoramas shot in 1986-88. Photographed with an Olympus OM-1 with a specially filed out back to eliminate the spacing between frames on the film. Each diptych is shot ‘live’ in the camera. This image was photographed at the Opus 40 Sculpture Park in Woodstock, NY.

WOODLAWN CEMETERY (solarized) is an early composite panoramic photo collage. It is a contact print of 35MM color negatives printed on chromogenic paper. It is a solarized version of UNTITLED,WOODLAWN CEMETERY – the print is exposed to light briefly during the development.

WIRED 1.1 is a multiple image print created for WIRED magazine issue 1, in 1993. It is a non-digital Cibachrome print, using a mix of transparency & negative film images of the Mona Lisa. Some of the effects and colors were created during the shooting, and the others were created in the enlarger during the printing phase.

OSSORIO 1987 is a panoramic collage portrait of Alfonso Ossorio, photographed on his East Hampton estate (the Creeks) for Avenue Magazine. It is a B&W contact print, shot on Ilford X-P1 film.