September 21, 2017

GLAMOUR CIBACHROME 1993
GLAMOUR CIBACHROME 1993

GLAMOUR CIBACHROME 1993 is a multiple image Cibachrome print made from color transaparency film images using various techniques during shooting, including image projection and light painting. Created for Glamour Magazine in 1993.

September 19, 2017

YELLOW DOG 1996-2017
YELLOW DOG 1995-2017

YELLOW DOG 1995-2017 started in 1995 as an analog photo collage contact print, shot on Ilford XP1 film with a Robot Royal Camera (for the small square format), and printed on chromogenic paper. It has since been reworked in Photoshop.

September 18, 2017

UNTITLED DYPTICH
UNTITLED DYPTICH

UNTITLED DYPTICH is part of a series of simple two-frame panoramas shot in 1986-88. Photographed with an Olympus OM-1 with a specially filed out back to eliminate the spacing between frames on the film. Each diptych is shot ‘live’ in the camera. Photographed with long exposures to create a painterly effect, using color negative film enlarged onto Chromogenic paper.

September 17, 2017

ALEX'S THING 1980
ALEX’S THING 1980

ALEX’S THING 1980 is a composite panoramic analog photo collage, printed as a contact sheet from color negatives onto chromogenic paper. Alex’s ‘Thing’ was a 30 foot long pillow created as an art project by the late, great Alex Bonziglia. Extending the full length in each 360 degree panel, using long exposures – you can see me clutching a bulb shutter and looking at wristwatch for time.  Photographed in our apartment in the East Village on 6th between A and B, in early bohemian art punk splendor: The cushionless sofa dragged in from the street, Television’s ‘Adventure’ in red vinyl on the turntable, bizarre art-damaged accoutrements hanging everywhere….

September 13, 2017

PEN FT STUDY 1985
PEN FT STUDY 1985

PEN FT STUDY 1985 is an analog photo collage shot on color film and enlarged onto chromogenic paper. This is a quick study made while fleshing out some ideas using an Olympus PEN FT half-frame camera. This image is a strip of film with four exposures shot in sequence, using long exposure times to create a painterly blur.