August 3, 2017

KEY WEST  1985
KEY WEST 1985

KEY WEST 1985 is an analog photo collage shot on color negative film, printed on color paper and mounted onto black acid free board.  I used long exposures with flash to create light blurs. If memory serves, the location was the front of  (or near) the Hemingway home in Key West.

August 2, 2017

LSBT  2017
LSBT 2017

 

LSBT 2017 is a digital photo collage made from images shot with a GoPro Hero 5, out in the middle of Loch Sheldrake. Art historians please note: This is one of the last known photographs of my eyeglasses.

August 1, 2017

BUILDING SKETCH 90'S
BUILDING SKETCH 90’S

 

BUILDING SKETCH 90’s is an analog sketch from prints, put together while formulating ideas for my collage series from the 90’s.  Shot with Ilford XP-1 film, printed onto color paper.

July 28, 2017

 

 

MONOTONE SYMPHONY  2017
MONOTONE SYMPHONY 2017

MONOTONE SYMPHONY Is a digital photo collage made from images shot with iPhone 6 in pano mode. Photographed while on a visit to the NY Botanical Gardens. I had some ideas in my head when I went through the gate that day, but this is what my hands did with the ball of clay.

July 26, 2017

WISH  2007
WISH 2007

This is a digital photo collage sketch from 2007. Here I am using long exposures, painting with the moving  and stationary nightime lights. Working at night in this way is another road not yet taken; I plan to get back to this approach to flesh out some more finished pieces in the future.

July 25, 2017

TWO STEPS BACK  2017
TWO STEPS BACK 2017

TWO STEPS BACK  2017 is a digital photo collage created from panoramic strips shot with an iPhone 6.  It is made using two similar halves, joined together.  I had other plans for this collage, but the collage’s plans won.  Photographed at the New York Botanical Gardens, in the Bronx, NY.

July 24, 2017

TREE STUDY 1987
TREE STUDY 1987

 

TREE STUDY 1987  is an analog photo collage, made from 35MM color film, shot with long exposures using a flash, to create a frozen/motion effect. The strips of film are straight out of the camera, taped onto a glass negative carrier, and enlarged onto color paper. Exposed with my trusty Olympus OM-1, which I had specially filed out by the esteemed Marty Forscher of Professional Camera Repair in NYC, to eliminate the spacing in between frames.