NYSE 2001 (exterior of New York Stock Exchange) is an analog photo collage created from 1-Hour photo prints shot with color negative film, and assembled by hand, in a time before Photoshop. Created for Business Week magazine in 2001. For similar images see: Pro Collage.
ESPN ZONE MARATHON SKETCH 2004 is an analog photo collage sketch photographed with color negative film and printed on 1-hour photo prints. It was created as a study for a permanent installation in ESPN ZONE / Disney Restaurant in Times Square 2004 (see below).
For similar work, please see: PRO COLLAGE
LOST THREAD 2010 is part of a series of analog mini-collages of pieces of intentionally damaged transparency film, circa 2010.
SASSY 1993 is a multiple image Cibachrome print made from black & white transaparency film images. Created for Sassy Magazine in 1993.
XEROX 1981 is an analog photo collage created as a composite panoramic contact print from color negatives on chromogenic paper. One of the early images in this series depicting 360 X 180 degrees, it is made from 75 35MM exposures. The location is the Xerox Corporate Headquarters lobby in Stamford CT.
MONTAUK DIPTYCH is part of a series of simple two-frame panoramas shot in 1986-88 on color negative filmed and printed on chromogenic paper. Photographed with an Olympus OM-1 with a specially filed out back to eliminate the spacing between frames on the film. I’m pretty sure it is Montauk. I think it was 1986. I believe I also used the toilet paper tube filter here….
KNOW HOW 1993 is a multiple image Cibachrome print made from black & white transaparency film images. Created for Know How Magazine in 1993.
COLLAGE OF MAN’S EYE 1998 is an analog mini-collage, shot with color negative film and printed onto 1-hour photo paper. It is part of a series created for Wal-Mart in 1998.
MONA LISA KALEIDOSCOPE is an analog 35MM transparency image created with a kaleidoscopic mirror device. It was created for WIRED magazine issue 1, in 1993.
SHAMANZNBRIDGES 1979 is the first of the full-size composite panoramic contact prints I began making in 1979. It is shot with 5 rolls of Kodak Tri-X film and printed onto B&W fiber paper. After earlier panoramic experiments the prior year, I had conceptualized a way to depict 360 x 360 degrees on a flat surface. I built a device (wooden frame visible) to enable the trusty Olympus OM-1 to turn 360 degrees on both the horizontal and vertical axis. Together with my Shaman jacket wearing friends Chris, Jim, Joe, and Jeff, we ventured into the Bronx to a special spot next to the Major Deegan, under the (Martha) Washington Bridge. This is the result, 150 exposures later, nicknamed ‘ShamanznBridges’.
David McGlynn 