STUDENT STRESS 2000 is an analog photo collage created from chromogenic prints from 35MM color negatives, assembled by hand in a time before Photoshop. Created for Newsweek Magazine in 2000.
December 30, 2017
Author: David McGlynn
David McGlynn is an artist living and working in New York City and Beverly, MA. Born and raised in the Bronx, NY, he received a BFA from SUNY Purchase in 1979. Mr. McGlynn enjoys success as both a fine art photographer and as a professional commercial photographer. His specialty is photo collage, and he has been refining his unique style for the better part of three decades. He has shown his work at several group and solo shows, including the Alternative Museum, Queens Museum, Hudson River Museum, Luring Augustine Gallery, the Neuberger Museum and Broadway Windows. His work is included in the collections of the Brooklyn Museum, the Erie Art Museum, the New Britain Museum of American Art, the Forbes Gallery Collection, and various private collections. In addition, he has created large-scale works for permanent installation for a variety of clients, including Disney/ESPN Zone restaurants, Fox Network headquarters, and AT&T Corporate Headquarters. His work has appeared in publications including WIRED, Newsweek, Time, Money, Forbes, Vibe, ESPN, New York Times, Traveler, Popular Science and Metropolitan Home. Corporate and advertising clients include Miller Brewing Company, ‘Absolut McGlynn’ for Absolut Vodka, Kodak Funsaver cameras, Compaq, American Express, Disney, Dime Bank, Polygram/Mercury Records, and the World Financial Center. Mr. McGlynn has received several awards including: American Photography Annual 7, 10, 11, 35; Society of Publication Designers Annual 18, 23, 27, 28 and 30; Graphis Poster and Graphis Digital. Portfolio spreads of his artwork have been published in: Life Magazine, Popular Photography, Idea (Japan), Photo Magazine (France), and Photo District News.
December 29, 2017
UNTITLED DIPTYCH 1986 is part of a series of simple two-frame panoramas shot in 1986-88. Photographed with an Olympus OM-1 with a specially filed out back to eliminate the spacing between frames on the film. Each diptych is shot ‘live’ in the camera. Photographed with long exposures using a flash, to create a frozen/motion painterly effect, using color negative film enlarged onto Chromogenic paper.
December 28, 2017
ON THE JOB 2017 is a digital photo collage study made from sections of panoramic strips shot with an iPhone 6.
December 27, 2017
EXEC / ADD 1995 is a multiple image Cibachrome print made from black & white film images. Colors were created in the enlarger, in a time before Photoshop. Created for Exec Magazine in 1995, to illustrate Attention Deficit Disorder.
December 26, 2017
GREENPORT 1985 is an analog photo collage study made from Polaroid SX-70 prints. Photographed in the fabulous Summer rental in Greenport NY.
December 25, 2017
BIG BEN 1988 is an analog composite panoramic contact print made from color negatives shot with an Olympus OM-1, which I had specially filed out to eliminate the spacing in between frames. It was created in 1988 for Conde Nast’s Traveller Magazine. I’m not sure they knew what they were getting into.
December 24, 2017
STEP WORK 2017 is a digital photo collage made from images shot with a Nikon D750 and assembled in Photoshop.
December 23, 2017
UNTITLED DIPTYCH 1986 is part of a series of simple two-frame panoramas shot in 1986-88. Photographed with an Olympus OM-1 with a specially filed out back to eliminate the spacing between frames on the film. Each diptych is shot ‘live’ in the camera. Photographed with long exposures using a flash, to create a frozen/motion painterly effect, using color negative film enlarged onto Chromogenic paper.
December 22, 2017
BIRD STUDY 2017 is a digital photo collage made from images shot with a Nikon D4 and assembled in Photoshop.
December 21, 2017
WALL STREET REDUX 2017 is a work-in-progress digital photo collage made from imagery found on Google Earth. It is a loose inside-out reworking of WALL STREET 1996.
David McGlynn 