STUDIO DITTIES ONE is a group of analog mini-collages made from leftover prints and Polaroids from various studio shoots.
March 10, 2018
Author: David McGlynn
David McGlynn is an artist living and working in New York City and Beverly, MA. Born and raised in the Bronx, NY, he received a BFA from SUNY Purchase in 1979. Mr. McGlynn enjoys success as both a fine art photographer and as a professional commercial photographer. His specialty is photo collage, and he has been refining his unique style for the better part of three decades. He has shown his work at several group and solo shows, including the Alternative Museum, Queens Museum, Hudson River Museum, Luring Augustine Gallery, the Neuberger Museum and Broadway Windows. His work is included in the collections of the Brooklyn Museum, the Erie Art Museum, the New Britain Museum of American Art, the Forbes Gallery Collection, and various private collections. In addition, he has created large-scale works for permanent installation for a variety of clients, including Disney/ESPN Zone restaurants, Fox Network headquarters, and AT&T Corporate Headquarters. His work has appeared in publications including WIRED, Newsweek, Time, Money, Forbes, Vibe, ESPN, New York Times, Traveler, Popular Science and Metropolitan Home. Corporate and advertising clients include Miller Brewing Company, ‘Absolut McGlynn’ for Absolut Vodka, Kodak Funsaver cameras, Compaq, American Express, Disney, Dime Bank, Polygram/Mercury Records, and the World Financial Center. Mr. McGlynn has received several awards including: American Photography Annual 7, 10, 11, 35; Society of Publication Designers Annual 18, 23, 27, 28 and 30; Graphis Poster and Graphis Digital. Portfolio spreads of his artwork have been published in: Life Magazine, Popular Photography, Idea (Japan), Photo Magazine (France), and Photo District News.
March 9, 2018
AMERICAN HEALTH SKETCH 1989 is an analog photo collage made from chromogenic prints shot with color negative film. It is a study for final art created for American Health magazine in 1989.
March 8, 2018
EIGHTFOLD 2018 is a digital photo collage created from images shot with a GoPro Hero 5 and assembled in Photoshop. For similar images see Best of the Blog.
March 7, 2018
PAULA, CENTRAL PARK 1984 – 2018 is an analog photo collage, made from 35MM color film, shot with long exposures to create a painterly effect. The strips of film are straight out of the camera, taped onto a glass negative carrier, and enlarged onto color paper. This image was digitally reworked in 2018.
March 6, 2018
MULLIGAN’S MEANDER 2018 is a digital photo collage made from imagery found on Google Earth software in the vicinity of the Oakmont Golf Course in Pennsylvania. For similar images, please visit Google Hack.
March 5, 2018
PIEHOLE 2018 is an assembly of digital photographs shot with a Nikon D750 and assembled with Photoshop.
March 4, 2018
AVENUE MAGAZINE TREE COLLECTORS 1987 is an analog composite panoramic photo collage shot with Ilford XP-1 film and printed on chromogenic color paper as a large contact print. It was created for Avenue magazine in 1987.
March 3, 2018
NEWSWEEK CHOICES 2000 is an analog photo collage created from 1-Hour photo prints shot with color negative film, and assembled by hand, in a time before Photoshop. Created for Newsweek magazine in 2000. For similar images see Pro Collage.
March 2, 2018
SELF 1994 is an analog photo collage created as a composite panoramic contact print from color negatives, printed on chromogenic paper. Exposed with my trusty Olympus OM-1, which I had specially filed out by Marty Forscher of Professional Camera Repair in NYC, to eliminate the spacing in between frames. It was created in 1994 for Self Magazine.
March 1, 2018
1 CENTRE VARIATIONS are digital photograph groupings (a triptych and a quadtych?) made with an iPhone 6, and assembled with Photoshop. They are pictures of adhesive residue and graffiti removal stains on the walls of the 1 Centre Street building, NYC.
David McGlynn 