OSSORIO POOL 1988 is an analog composite panoramic contact print made from color negatives shot with an Olympus OM-1, which I had specially filed out by Marty Forscher of Professional Camera Repair in NYC, to eliminate the spacing in between frames. Photographed on (then) East Hampton estate of Alfonso Ossorio. For similar images see Early Collage.
KALEIDOSCOPIC STUDIES 1992 is a group of analog 35MM transparency images created with a kaleidoscopic mirror device. The images are of various items and shapes including spheres and crystal balls. Created as part of a portfolio of rainbow/light spectrum images for IBM in 1992.
THE FOOD PUZZLE 2005 is a 3D collage of images of different foods printed onto puzzle pieces and arranged on plate. Created as stock photography for licensing.
GLAMOUR 1994 is a multiple image chromogenic print made from color negative film images using various techniques during shooting, including image projection and light painting. Created for Glamour Magazine in 1994.
DAVEJUSTWANTS2HAVEFUN 2018 is a digital photo collage study made from images shot with a GoPro Hero 5 and assembled with Photoshop.
REACT FUTURE SHOCK 1997 is an analog photo collage created from 1-Hour photo prints shot with color negative film, and assembled by hand, in a time before Photoshop. Created for React magazine in 1997. For similar images see Pro Collage.
RUBIK’S FOOD GROUP CUBE 1998 is a 3D collage of images of different foods printed onto chromogenic paper and applied to a Rubik’s cube. Created for Woman’s Day magazine in 1998.
FEET AT POOL EDGE 2003 is a digital photo collage shot with a Canon Powershot G3 and assembled with Photoshop. Created for Money Magazine in 2003.
GLAMOUR 1993 is a multiple image Cibachrome print made from color transaparency film images. Created for Glamour Magazine in 1993.
KRAZE 3 is a portrait of a member of the seminal 80’s House band Kraze. I did four separate photo-illustrative portraits of each band member for Andy Warhol’s Interview Magazine in 1989. Photographed with color negative film and printed on Chromogenic paper, in a land before computers and Photoshop. I created effects in the enlarging /printing process using stencils to expose areas separately, and treated them with filters, motion, and effects screens such as broken glass, etc. All while listening to vinyl record mixes on cassette tapes played on a boom box…
David McGlynn 