MRI ART is an analog photo collage shot on color negative film and printed on chromogenic paper. It is part of a series of collages created in 1992-93 for MediaMark Research, thru Spot Design in NYC.
This is one of the ads in print.
This is a preparatory sketch for another MRI collage, shot on Polaroid Polachrome Instant 35MM B&W film.
WAVE HILL 54321 is a digital photo collage made from images shot with a GoPro Hero 5 and assembled with Photoshop.
BLUE ALERT 2018 is a digital photo collage/montage shot with a Nikon D750 and assembled with Photoshop.
FORBES MINI SKETCHES 1991 are analog photo collages shot on color negative film and assembled from 1-Hour Photo prints. They are extra preliminary sketches for Poolside With Bush, part of a series of parody artworks representing then POTUS George H. W. Bush, commissioned by Forbes Magazine / Isley Design, and published in 1991. Main sketch here. Final art here.
ALEX’S THING (solarized) is a composite panoramic analog photo collage, printed as a contact sheet from color negatives onto chromogenic paper. It is a solarized version of ALEX’S THING; briefly exposed to light during the print development. Alex’s ‘Thing’ was a 30 foot long pillow created as an art project by the late, great Alex Bonziglia. Extending the full length in each 360 degree panel, using long exposures – you can see me clutching a bulb shutter and looking at my wristwatch to time each 30 second exposure.
LIGHT BULB 1998 is an analog mini-collage, shot with color negative film and printed onto 1-hour photo paper. It is part of a series created for Wal-Mart in 1998.
UNTITLED HIGHLAND LAKE 1983 is an analog composite panoramic photo collage shot on color negative film, using camera motion during long exposures to create a painterly effect. It is printed on chromogenic color paper as a large contact print. For similar images, see EARLY COLLAGE.
REDBOOK INSOMNIA 1994 is an analog multiple image Cibachrome print made from black & white transaparency film images, in a time before Photoshop. Created for Redbook Magazine in 1994.
POOL, CAPE COD SPHERE 1979-1982 is a 3D spherical rendering of POOL, CAPE COD measuring app. 2′ in diameter. It is made of cardboard and chromogenic prints. The original image spans 360 X 360 degrees; this rendering uses the ‘center cut’ of images spanning 360 X 180 degrees. This approach is a precursor to QTVR / 3D Panoramic imaging popular today.
OBSERVANCE 2018 is a digital photo collage made from images shot with a GoPro Hero 5 and assembled with Photoshop. Photographed on the steps of the Metropolitan Museum of Art in NYC. For more new collages, please see: Blog Gallery.
David McGlynn 