June 18, 2018

PANORAMIC STRIPS 1991
PANORAMIC STRIPS 1991

PANORAMIC STRIPS 1991 is a group of multiple image panoramic flower studies shot on color transparency film. Photographed with an Olympus OM-1 with a specially filed out back to eliminate the spacing between frames on the film, incorporating long exposures to create a motion/painterly effect.

June 14, 2018

STUDIES 1988
STUDIES 1988

STUDIES 1988 is a group of analog photo collages on a single large contact print.  Shot on 35MM color film, using camera motion to create a painterly effect.  Taken with my trusty Olympus OM-1, which I had specially filed out by Marty Forscher of Professional Camera Repair in NYC, to eliminate the spacing in between frames. For similar images, please see: Early Collage

June 13, 2018

LIVINGSTON NJ  1978
LIVINGSTON NJ 1978

STUDENT WORK! – LIVINGSTON NJ 1978 is a 4 frame 35MM panoramic strip, enlarged onto AGFA fiber paper. Photographed with beloved Kodak Safety Film 5063, AKA TRI-X. Probably processed in D-11 for that extra dense look. For similar work, please look inside the dozens of boxes I have scattered around here and in storage….

June 12, 2018

FISH NEEDS A BICYCLE  2018
FISH NEEDS A BICYCLE 2018

FISH NEEDS A BICYCLE 2018 is a digital photo collage made from images shot with a Nikon D750 and assembled with Photoshop. Photographed at the Monterey Aquarium, CA.  For similar images, please visit: Blog Gallery

June 11, 2018

UNTITLED DIPTYCH 1986
UNTITLED DIPTYCH 1986

UNTITLED DIPTYCH 1986 is part of a series of simple two-frame panoramas shot in 1986-88. Photographed with an Olympus OM-1 with a specially filed out back to eliminate the spacing between frames on the film. Each diptych is shot ‘live’ in the camera. Photographed with long exposures to create a motion/painterly effect, using color negative film enlarged onto Chromogenic paper.

June 10, 2018

80 FOURTH AVE ROOFTOP 1993
80 FOURTH AVE ROOFTOP 1993

80 FOURTH AVE ROOFTOP 1993 is an analog composite panoramic photo collage shot on Ilford X-P1 film, and printed on chromogenic color paper as a large contact print. The shifting color tones were created under the enlarger with stencils and colored gels in a time before Photoshop. For similar images see: Collage 1990’s