LINCOLN CENTER STUDY 2005-2018 is a digital photo collage study created from images shot with a Canon Powershot G-6 in Lincoln Center NYC in 2005, and re-ruined in 2018.
July 8, 2018
Author: David McGlynn
David McGlynn is an artist living and working in New York City and Beverly, MA. Born and raised in the Bronx, NY, he received a BFA from SUNY Purchase in 1979. Mr. McGlynn enjoys success as both a fine art photographer and as a professional commercial photographer. His specialty is photo collage, and he has been refining his unique style for the better part of three decades. He has shown his work at several group and solo shows, including the Alternative Museum, Queens Museum, Hudson River Museum, Luring Augustine Gallery, the Neuberger Museum and Broadway Windows. His work is included in the collections of the Brooklyn Museum, the Erie Art Museum, the New Britain Museum of American Art, the Forbes Gallery Collection, and various private collections. In addition, he has created large-scale works for permanent installation for a variety of clients, including Disney/ESPN Zone restaurants, Fox Network headquarters, and AT&T Corporate Headquarters. His work has appeared in publications including WIRED, Newsweek, Time, Money, Forbes, Vibe, ESPN, New York Times, Traveler, Popular Science and Metropolitan Home. Corporate and advertising clients include Miller Brewing Company, ‘Absolut McGlynn’ for Absolut Vodka, Kodak Funsaver cameras, Compaq, American Express, Disney, Dime Bank, Polygram/Mercury Records, and the World Financial Center. Mr. McGlynn has received several awards including: American Photography Annual 7, 10, 11, 35; Society of Publication Designers Annual 18, 23, 27, 28 and 30; Graphis Poster and Graphis Digital. Portfolio spreads of his artwork have been published in: Life Magazine, Popular Photography, Idea (Japan), Photo Magazine (France), and Photo District News.
July 7, 2018
PENNZOIL 1983 (solarized) is a composite panoramic analog photo collage, printed as a contact sheet from color negatives onto chromogenic paper. It is solarized; exposed to light briefly during development. It is the lobby of the Pennzoil building in Houston TX.
July 6, 2018
STUDY 1999 is an analog photo collage study made from chromogenic prints.
July 5, 2018
FLYING TEACHERS 2009 is a digital photo collage made from images shot with a Canon Powershot G-6.
July 4, 2018
PORCUPINE PRESS 4 is a sampling of greeting cards printed by our card company Porcupine Press, started by myself and partner John Hluchyj in 1993. They are analog photo collages created from images shot on B&W film and printed on color paper. These are 4 of 12 designs for the New York Stories line. Graphic design & logos by Paula Kelly. There were 4 lines in all – in addition to New York Stories, there was En Fleur, Holidaze, and Unlimited Editions. Keep your day job.
July 3, 2018
DOWN IN THE TREE 2018 is a digital photo collage created from images shot with a GoPro Hero 5 and assembled with Photoshop. Photographed at Wave Hill in the Bronx, NY. For similar images see: Blog Gallery
July 2, 2018
ASTORIA POOL 1984-2018 is an analog composite panoramic contact print on chromogenic paper, made from color negatives shot with an Olympus OM-1. Originally created in 1984 and reworked in 2018. For similar images see Early Collage.
July 1, 2018
OAK TREE CENTRAL PARK 1983 is an analog composite panoramic contact print on chromogenic paper, made from color negatives shot with an Olympus OM-1. For similar images see Early Collage.
June 30, 2018
JP MORGAN CHASE 2001 is an analog photo collage created from 1-Hour photo prints shot with color negative film, and assembled by hand. Created for Business Week in 2001. For similar images see: Pro Collage.
June 29, 2018
SIENA STUDY 1987
SIENA STUDY 1987 is an analog composite panoramic contact print made from color negatives shot with an Olympus OM-1, which I had specially filed out by Marty Forscher of Professional Camera Repair in NYC, to eliminate the spacing in between frames. Photographed in the town of Siena, Italy. For similar images see: Early Collage.
David McGlynn 