Tearsheet Time Capsule: Traveler Magazine – 1988

In early Summer of 1988 I was working in what would be my last restaurant job, at An American Place with James Beard award winner and pioneer of the new American cuisine Larry Forgione. I was extremely lucky to have worked at 2, 3, and 4 star restaurants in NYC during my 80’s waitstaff reign of terror. But I was done. Conde Nast’s Traveler Magazine was putting together photographers for a special London issue and I was in consideration thanks to friend and photo editor Kathleen Klech, who thought, though untested, I could be an interesting part of the mix, which was a group of considerably more experienced and seasoned travel photographers. After all, I was doing these interesting photo collage thingies. I had firmly decided that if I get this job, I’d go full-time freelance and never look back. I can vividly remember calling her from the payphone in the coat room every two hours for what must have been a pretty annoying stretch. When maybe turned yes, I gave notice, and off to London we went. We spent approximately a week there, me wandering about making photo collages during the day, then meeting up with the gang at night at restaurants and bars of London, all in all having a fabulous time. It became abundantly clear this was the more desirable employment scenario. While there I made over a dozen different collages, a handful of 3×3’s, some diptychs, some panoramic strips, etc. Back in NYC, I put together the various projects, and excitedly submitted them, and impatiently waited….. for the issue to come out…. to find that they only used a few frames extracted from one of the collages.

Crestfallen, all I could think of was the Star-Kist tuna commercials of the 70’s – ’Sorry Charlie, Star-Kist don’t want tunas with good taste, Star-Kist wants tunas that taste good’. What was I thinking? What were they thinking?? I really loved some of the images I made while there (some are attached here), alas, travel photography they are not. Having had plenty of photo jobs under my belt by this time, I was already reasonably jaded, so I took it all on the chin. No matter, I was launched. And I never looked back!

BIG BEN 1988

TOWER BRIDGE 1988
PICCADILLY 1988
LLOYDS OF LONDON 1988 – 16″ X 20″ C Type Contact Print, Ed. 10
TOWER BRIDGE 1988 – 11″ X 14″ C Type Contact Print, Ed. 10
BIG BEN TEST 1988

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David McGlynn

David McGlynn is an artist living and working in New York City and Beverly, MA. Born and raised in the Bronx, NY, he received a BFA from SUNY Purchase in 1979.  Mr. McGlynn enjoys success as both a fine art photographer and as a professional commercial photographer. His specialty is photo collage, and he has been refining his unique style for the better part of three decades. He has shown his work at several group and solo shows, including the Alternative Museum, Queens Museum, Hudson River Museum, Luring Augustine Gallery, the Neuberger Museum and Broadway Windows. His work is included in the collections of the Brooklyn Museum, the Erie Art Museum, the New Britain Museum of American Art, the Forbes Gallery Collection, and various private collections. In addition, he has created large-scale works for permanent installation for a variety of clients, including Disney/ESPN Zone restaurants, Fox Network headquarters, and AT&T Corporate Headquarters.  His work has appeared in publications including WIRED, Newsweek, Time, Money, Forbes, Vibe, ESPN, New York Times, Traveler, Popular Science and Metropolitan Home. Corporate and advertising clients include Miller Brewing Company, ‘Absolut McGlynn’ for Absolut Vodka, Kodak Funsaver cameras, Compaq, American Express, Disney, Dime Bank, Polygram/Mercury Records, and the World Financial Center. Mr. McGlynn has received several awards including: American Photography Annual 7, 10, 11, 35; Society of Publication Designers Annual 18, 23, 27, 28 and 30; Graphis Poster and Graphis Digital. Portfolio spreads of his artwork have been published in: Life Magazine, Popular Photography, Idea (Japan), Photo Magazine (France), and Photo District News.