Category: Uncategorized

GLAMOUR CIBACHROME 1993 is a multiple image Cibachrome print made from color transaparency film images using various techniques during shooting, including image projection and light painting. Created for Glamour Magazine in 1993.

YELLOW DOG 1995-2017 started in 1995 as an analog photo collage contact print, shot on Ilford XP1 film with a Robot Royal Camera (for the small square format), and printed on chromogenic paper. It has since been reworked in Photoshop.

UNTITLED DYPTICH is part of a series of simple two-frame panoramas shot in 1986-88. Photographed with an Olympus OM-1 with a specially filed out back to eliminate the spacing between frames on the film. Each diptych is shot ‘live’ in the camera. Photographed with long exposures to create a painterly effect, using color negative film enlarged onto Chromogenic paper.

ALEX’S THING 1980 is a composite panoramic analog photo collage, printed as a contact sheet from color negatives onto chromogenic paper. Alex’s ‘Thing’ was a 30 foot long pillow created as an art project by the late, great Alex Bonziglia. Extending the full length in each 360 degree panel, using long exposures – you can see me clutching a bulb shutter and looking at wristwatch for time.  Photographed in our apartment in the East Village on 6th between A and B, in early bohemian art punk splendor: The cushionless sofa dragged in from the street, Television’s ‘Adventure’ in red vinyl on the turntable, bizarre art-damaged accoutrements hanging everywhere….

NO MEDICINE FOR REGRET 2017  is a digital photo collage made from panoramic strips shot with an iPhone 6 and assembled in Photoshop.

LOSING MY EDGE 2017  is a digital photo collage made from panoramic strips shot with an iPhone 6, and assembled in Photoshop.  I was there.

BACK ON OUR HEADS 2107 is a digital photo collage made from images shot at the Monterey Aquarium in California with a Nikon D750.

ESCALATORS UP 1997 is an analog photo collage made out of 1-hour prints from color negatives. I had created it back then as a promotional piece for my portfolio. The images here are of the escalator bank from the World Trade Center PATH station, destroyed during the 9/11 attacks. The unwitting, prescient design of people heading heavenward has haunted me ever since the attacks, especially since it is possible that any one of these people, likely headed to work at WTC that day, might have perished in the attacks a few years later.

WORLD TRADE CENTER 1 – 1979 is a composite panoramic analog photo collage, printed as a contact sheet from color negatives. It is photographed from the original World Trade Center Observatory.

CONTRARY TO EVIDENCE TO THE CONTRARY 2017 is a digital photo collage made from imagery found on Google Earth, and assembled in Photoshop. For more similar images, please go to Google Hack.